Friday, 2 November 2012

Album Review: Miguel Kaleidoscope Dream


[RCA Records]

Overdose in the freedoms in life. The creative freedom of Miguel’s Kaleidoscope is a mind trip of uninhibited expression. Even before of the release of this second offering, Miguel was faced with the intimidating Prince comparison, which I admittedly raised an eyebrow at. This album’s similarities to Prince’s Emancipation are undeniable building my curiosity into his future development. For now just enjoy tracks ‘Adorn’ ‘Arch & Point’ and ‘Candles In The Sun’ with synthesized keys reminiscent of ‘Alicia Keys – No One’ who appears on the backing vocals of ‘Where’s The Fun Of For Ever’.

Album Review: Brandy Two Eleven


[RCA Records]

What’s that scent in the room? ….Sexual liberation.

After three years wrestling with the near of disintegration of her career, Brandy is finally break out of her comfort zone with help of former J Records A&R Peter Edge.

You can forget the awkward Brandy of the Afrodisiac area. Well almost.
Brandy’s lays breathy and anticipative vocals over sultry synthesizers and drum beats programed like post sex heartbeats on ‘Paint This House’

Brandy states her demands on Mr. Bangladesh produced trippy pop and Hip-Hop infused ‘Let Me Go’. Given that this track sounds like Mr. Bangladesh submitted it to Nicki Minaj during the Pink Friday sessions, the production works surprising well with Brandy’s experimental vocal arrangement.

Best R’n’B comeback album of 2012? Well Ashanti, Keyisha Cole and her best friend Kelly Rowland have 10 weeks to stake their claim. 

Interview with Martyna Baker for Echoes Magazine Nov. 2012


Friday, 15 June 2012

DJ Butch Kassidy Interview


KASSIDY TALKS  

DJ BUTCH KASSIDY TELLS VENESSA BYRON HOW HE HAS STAYED CONSISTANT AS A SPECIALIST DJ FOR TWO DECADES.

DJ Butch Kassidy leans his large stature forward in the leather chair in his north London residence and begins to tell me what’s wrong with the representation of UK underground music.
 “This country doesn’t have the structure to support unground music” he says, “it’s ignorant and doesn’t see it as a money making thing - it’s just entertainment. They will support indie band and rock bands like they are the greatest. UK rappers.. the BBC ain’t got time for them, they shove it over to 1Xtra, if you’re not on Radio 1 you’re not charting.”

Approaching his 20th year as a DJ, he’s progressed from being a selector at high school parties to holding a 10month residency on the Greek island of Cavos and leading promotional street team campaigns for Usher, Kanye West and Teedra Moses.
“In Cavos and I opened for Lauren Pope, Calvin Harris and Magnetic Man,” he says,
Adding that his gigs on Greek islands have been some of the best night he’s ever played.

Kassidy speaks proudly about being the third generation of DJs in his family.
“My uncles were DJs, my grandfather was a DJ, my dad used to fix up sound,” he says. “Growing up entertaining was embedded in me.”

At the age of 16 Kassidy and three of his friends formed the sound system Diamond Rush and started releasing mix tapes, all while working part-time at a McDonalds drive-through. Management soon asked Diamond Rush to DJ at the London area McDonalds Christmas party for 3,000 people, soon catching the attention of Unique radio bosses who loved his signature style of mixing hip-hop, bashment and jungle. Unique gave Kassidy his own show between two and four am - the phone didn’t stop ringing once he announced his name on-air.
“I got so good at it people would phone me and tell me not to come off air, sometimes I was there at 6am until the breakfast DJ came in,” he laughs. Within a year he was hosting the drive time slot and taking BBC radio training.

After a UK hiatus taken to concentrate on European events he plans a return to radio as soon as possible, as well as moving into artist development, inspired by his work in street teams. D-Bo, an underground rapper he is developing, recently appeared on hugely popular urban music exposer website SBTV, encouraging him to release free mixtapes to gain a foothold in the scene. “Even established artists give out free mix tapes,” he exclaims passionately, “Look at Christ Brown - he re-built his career on a mixtape.”

Kassidy has recently started a weekly specialist music event for over 30s “Me and a friend have teamed up as the Happy Days Family, keeping it nice and mature. With our specialist knowledge of music we know it will attract a certain crowd of people on a Saturday night. People don’t have to be DJs to know music they could have just been raving for a very long time, know music and are collectors themselves. You have to surprise them with your knowledge.”

This mature audience reflexes how far underground music has come.  All we need now is for the powers that be at radio one to recognize that fact for the scenes transition to adulthood to be complete. 

Music Vs. Religion (Written 05/09/12)


Music and Religion have always had a fragmented relationship regarding the boundaries of human expression.

In European and American culture emotions are disturbed when it comes to claims of blasphemy and cult like structure in music’s messages.  Although these protest are almost never taken into an organised from like in Asia.
Malaysia and Indonesia have gained a reputation for putting tight restrictions on international artist who perform in their country. These pressures on both the government and international performer usually come from extremist religious groups.

Tour dates being a casualty of these pressures has gained the attention of international press. In 2009 Beyonce’ was forced to cancel her I Am….Tour performance in Malaysian when rules restricted her from wearing her staple black leotard and demanded she abide by the countries strict code of conduct which ruled out; jumping, shouting and hugging . A spokes woman from the Pan-Malaysian Islamic Party commented “We are against sexy Western performances; we don’t think out people need that”.

Lady GaGa recently met similar opposition when her scheduled show in Indonesia on Tuesday was cancelled after she was refused a permit from the Indonesian government. This decision followed protests by both Christian and Islamic Groups who threatened to causes chaos at the venue accusing GaGa of spreading a “Satanic Faith”.  

If the concert had gone ahead GaGa would have been performing to a sold out venue. This begs the question of why these small extremist groups are still being allowed to influence these countries government’s decisions on disallowing concerts by international performers, when there is clearly an audience for these shows from the wider community.



Tuesday, 29 May 2012

Lalah Hathaway: The Jazz Cafe: Review



Lalah Hathaway: The Jazz Cafe

Lalah Hathaway opened her surprisingly first-ever solo performance in London at the perfect venue, Camden Town’s intimate Jazz CafĂ©, with two surprisingly up-tempo songs “If You Want To” and “Breath”.

Lalah serenaded the audience with tracks from her latest album “Where It All Begins” all the way back to her 1990 self-entitled debut album.  Hathaway was ever in control of the rooms energy, from dinner dates in the upstairs balcony enjoying expensive bottles of champagne to zoned out jazz heads and young adults wanting to bask in the essence of the Hathaway legacy.

The Detroit born vocalist who adorned a royal blue wrap-dressed felt she had eased the London crowd in by the third song. She then she removed her shoes and began to scale the Jazz standard “Summer Time” with dizzying scatting, then humorously battled the off pitch audience back and forth.

Lalah’s Jazz vocal arrangements intertwined with the bass guitar effortlessly in a perfect vocal of Anita Bakers “Angle” flowing back into her own music in a sensual rendition of “Small Of My Back”, followed by a discussion for one, about relationships to the couple filled audience.   

The British based band then led itself into an extended intro of “Something” which instantly had the audience two-stepping in unison before Lalah had a chance to breath a note.

After an upbeat encore of “Street Life” Lalah exited the stage leaving the audience wanting more and screaming for their favorite tracks as she promised it wouldn’t be another 20 before she sang in London again.



Monday, 26 March 2012

Trini To De Bone


Trinidad Carnival 2012 was as tradition would only have it, filled with Soca, fete and politics. The main event during carnival is of course the road march on Carnival Tuesday. Bands from around the world come to display their costumes at mas and compete on the main stage. 

The International Soca Monarch the most prestigious award for a Soca performer to win falls on last day of carnival week known as fantastic Friday. Trinidad and Tobago National government along with private sponsors come together to produce the stage show competition with a $2,000,00 first prize.

Trinidad hosting an International Soca Monarch competition and not a National competition has many Trinidadians concerned about the possibility of a non-national performer winning prize money that is provided by Trinidad’s national government. Rachel Price Comedian and Radio host say’s “I am very fucking curious to know who is the national Soca Monarch of T&T. Other islands are allowed automatic entry into the International Soca Monarch. I have an issue when the government provides the prize money because that is national funds. A National Soca Monarch needs to be established, God forbid the winner come from Grenada, I have nothing against Grenadians but I can not see another islander leave this country with $2,000,000 belonging to are national treasury.“

The issue of a non-Trini winning International Soca Monarch sounds like a prime example of the island rivalry that has been going on since Christopher Columbus stuck his flag in the ground. If a Guyanese had won the competition I doubt they would even make it to the airport with the prize money!

Many major Soca artist like; Alison Hinds, Bunji Garlin (seven time winner) and Fay-Ann Lyons (the first female Soca Monarch) refused to enter the competition because of the social and political tensions around the event. By the end of the night Machel Mantano had the whole of Trinidad on fire, on his jet pack flying over the audience, all while performing Pump Yuh Flag and Mr. Fete. Winning him both International Power and Goovy Soca Monarch.

Island pride and friendly island rivalry for me - has always been a part of Soca music. Disappointingly the fun is now being drained from carnival season because of politics.